AutoFinish.ai
AI Post-Production Pipeline
Raw cut → broadcast master. AI color grading, professional audio, broadcast-legal delivery. Zero manual steps.
9
step pipeline
10×
faster
2
formats out
0
manual steps
The Market
Post-production is a $28.6B industry.
0B+
Global Post Market
Growing to $45B by 2030. Every frame needs finishing.
0%+
Content Consumed Vertically
Every broadcast spot needs a 9:16 cut. Almost none are automated.
0h
Per Deliverable, Wasted
Color check, audio pass, reframe, export. Every spot. Every time. AutoFinish collapses it.
The Pipeline
Nine steps. One command.
01
Camera Detection & LUT Normalization
Auto-detects camera model from metadata. Applies the correct technical LUT from a 15-camera library — ARRI, Sony, RED, Canon, Blackmagic, DJI and more.
15-Camera Library
02
Reference Frame Extraction
Supply a broadcast-grade reference for histogram matching. No reference? The AI Colorist handles it autonomously.
Optional Reference
03
Source Analysis
Frame count, FPS, resolution, codec, color metadata. Every render starts with the facts.
Metadata
04
Color Grade — AI Colorist
Autonomous grading: luma stretch, histogram matching, S-curve finish. Exports a 33×33×33 .cube LUT every single render.
AI Colorist · .cube LUT
05
Professional Audio Normalization
Two-pass loudnorm to −14 LUFS. Broadcast-legal on first pass, every time. The standard for streaming and broadcast delivery.
−14 LUFS
06
Broadcast Legal Clamp
Pixel range enforced to 16–235 per ITU-R BT.709. No blown highlights. No crushed blacks. Ready for air.
16–235 Legal
07
16:9 Broadcast Render
ProRes 4444 .mov. Broadcast master. Ready for air, streaming delivery, or client handoff.
Broadcast Master
08
9:16 Social Render
Vertical cut delivered simultaneously. Smart crop with face detection. Same grade, same normalization, different frame.
Social Master
09
Pipeline Complete
Side-by-side comparison frame saved. Full output manifest generated. Job archived with timestamps.
✓ Complete
Accepts output from any NLE — or direct from camera
Premiere Pro
DaVinci Resolve
Final Cut Pro
Avid
Direct from Camera
No plugins. No roundtrips. No broken integrations. Premiere Pro editors →
The Intelligence Layer
Meet Otto. Your AI Sentinel.
you › Need this finished tonight. 30s promo, Sony FX3.9:41 PM
you › dropbox.com/spot_v7_rough.mov
[pipeline] Receiving… Sony FX3 detected → S-Log2.9:41 PM
[step 01] Camera LUT applied — S-Log2 normalization
[step 04] AI Colorist — promo intent, S-curve finish
[step 04] ✓ Color grade complete. .cube LUT exported.
[step 05] ✓ Audio normalized −14 LUFS
[step 06] ✓ Broadcast legal 16–235
[complete] 16:9 master + 9:16 social delivered. 9m 14s.9:50 PM
otto › Done. Files in your dropbox. Anything else?
Live Demo
RAW · UNGRADED · NO PROCESSING
AUDIO LEVELS
VS
AI GRADED · −14 LUFS · BROADCAST LEGAL
AUDIO LEVELS
✓ Color Graded
✓ Audio −14 LUFS
✓ Broadcast Legal
✓ 16:9 Master
✓ 9:16 Social
✓ .cube LUT
Pricing
Start free. Scale when ready.
Learn
Free
Unlimited renders. No credit card.
- Unlimited renders
- 16:9 output, 720p max
- Auto color grade
- Broadcast audio −14 LUFS
- AutoFinish watermark
Build
$29/mo
Full resolution. Dual format. No watermark.
- 10 renders / month
- Full resolution
- 16:9 + 9:16 delivery
- No watermark
- Broadcast-legal output
Most popular
Earn
$99/mo
Unlimited renders, priority queue, API access.
- Unlimited renders
- Priority queue
- API access
- Vision QA
- Genre classification
Studio
$299/mo
Multi-user seats, batch, white-label option.
- Multi-user seats
- Batch processing
- Custom LUT libraries
- White-label option
- Dedicated support
All plans include dual-format delivery (16:9 + 9:16) · ProRes 4444 · .cube LUT export
The 5-Point Advantage
Nobody else does all five.
Every other AI color tool requires either a reference clip or a human colorist. AutoFinish requires neither — and still delivers broadcast-legal output in both formats.
01
Reference-Free
No reference clip required. Ever. The AI reads the footage and grades autonomously.
02
Genre-Aware
Detects drama, action, comedy, news, doc, promo — applies the right grade automatically.
03
Skin-Protected
Anchored to the vectorscope 123° skin tone line with IRE targets by ethnicity. Green cast correction built in.
04
Broadcast Legal
Luma (16–235) AND chroma (16–240) clamped per ITU-R BT.709. Ready for air on first pass.
05
Dual-Format
16:9 + 9:16 ProRes 4444 delivered in one render. Smart crop with face detection.
| Capability | AutoFinish | DaVinci AI | Colourlab AI | Runway | Adobe Sensei |
|---|---|---|---|---|---|
| Reference-Free Grading | ✓ | partial | ✗ | ✓ | partial |
| Genre-Aware Intelligence | ✓ | ✗ | ✗ | ✗ | ✗ |
| Skin Tone Protection | ✓ | partial | partial | ✗ | ✗ |
| Broadcast Legal (Luma + Chroma) | ✓ | ✓ | ✓ | ✗ | ✓ |
| Dual-Format (16:9 + 9:16) | ✓ | ✗ | ✗ | ✗ | ✗ |
The only AI pipeline that delivers all five — without a reference clip and without a human colorist in the loop.
Every other tool stops at two or three.
"
Operate with reverence.
Fail with grace.
Succeed with humility.
Fail with grace.
Succeed with humility.
— The AutoFinish Standard
Start your
first render free.
No credit card. No software. No revision loop. Your first job ships tonight.
Request Private Beta →