For Premiere Pro Editors

No plugins.
No roundtrips.
Just results.

Export your Premiere cut. Upload it. Get broadcast-ready 16:9 + 9:16 ProRes delivered. Color graded, audio normalized, broadcast legal. While you sleep.

Start Free — First Render On Us → See the pipeline
The Problem

Plugin-based color grading
keeps breaking.

⚡
Adobe updates break everything
Every major Premiere update risks snapping the API your color plugin relies on. One update and your workflow is dead until the plugin vendor patches it — if they do.
🔄
Roundtrips destroy audio
Fetch & Push workflows that export color back to Premiere are notorious for mangling audio on reimport. You fix the color and break the mix.
📦
Two pieces of software to maintain
Plugin plus desktop app plus NLE. Three things that need to be installed, updated, and compatible — on every machine, every time.
↕️
Zero vertical video support
90%+ of content is consumed vertically. Color plugins grade the frame you give them. Nobody automates the 9:16 cut. You still do that manually.
"The Premiere Pro integration is completely broken after the last Adobe update. I'm manually exporting a LUT per clip and applying it in Lumetri. There has to be a better way." — Adobe Community Forum, 2026
The AutoFinish Way

Export your Premiere cut.
We handle everything else.

01
Camera-aware color grade
Auto-detects your source camera from metadata. Applies the correct technical LUT from a 15-camera library. AI Colorist handles the creative grade. Exports a .cube LUT every render.
02
Professional audio — no roundtrip
Two-pass loudnorm to −14 LUFS. Broadcast-legal on first pass. No reimport. No audio mangling. The audio in your master is exactly what we normalized.
03
Broadcast legal delivery
Pixel range enforced to 16–235 per ITU-R BT.709. No blown highlights. No crushed blacks. Ready for air, streaming delivery, or client handoff the moment it lands.
04
9:16 vertical — automatic
Smart crop with face detection. Same grade, same normalization, vertical frame. Your 9:16 social cut is delivered simultaneously with the broadcast master. Zero extra work.
Accepts any Premiere export format
H.264 MP4 ProRes MOV MXF DNxHD H.265 Camera RAW 10-bit HDR 4K / 6K / 8K
The Comparison

Plugin vs. Pipeline.

Feature Plugin-based grading AutoFinish
Premiere Pro integration✕ Breaks on Adobe updates✓ No plugin required
Audio normalization✕ Not included✓ −14 LUFS every render
Vertical 9:16 output✕ Not supported✓ Smart crop + face detect
Broadcast legal clamp✕ Manual step✓ 16–235 automatic
NLE required✕ Must own + operate NLE✓ Upload your export
Roundtrip risk✕ Audio destruction on reimport✓ No roundtrip ever
.cube LUT export✓ Yes (extra plugin tier)✓ Every render, every tier
ProRes output✓ Via NLE render✓ ProRes 4444 direct
Works on mobile uploads✕ Requires desktop✓ Any device, any browser
The Workflow

Three steps.
You do one of them.

1
Export from Premiere
Use Media Encoder or the built-in export. H.264, ProRes, MXF — anything works. Lock your edit the way you always have. No workflow changes.
Your step
2
Upload to AutoFinish
Drop your export into the members portal. The pipeline starts immediately — camera detection, color grade, audio normalization, broadcast legal clamp.
~30 seconds of your time
3
Receive broadcast-ready files
16:9 ProRes 4444 master + 9:16 social cut + .cube LUT — delivered to your portal. Color graded, audio normalized, broadcast legal. No revision loop. No plugin to maintain.
AutoFinish handles this

First render on us.

No plugins to install. No roundtrips. No broken integrations. Upload your Premiere export tonight and wake up to a broadcast master.

Request Private Beta — First Render Free → Learn more about AutoFinish